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By James Barter

A Medieval Knight.

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And then you attribute this property to events which appear to you in the instants: what belongs to the form you carry over to the content. You talk a lot about this amazing flow of time but you hardly see it .... [myemphasis] If I remember correctly, they call that the irreversibility of time. The feeling of adventure would simply be that of the irreversibility of time. But why don't we always have it? Is it that time is not always irreversible? " (80) These passages from Sartre today seem dated, melodramatic, even hack- 26 neyed-as the reeent past always does--but they usefully point out the modernist apprehension that the meaning, form, or coherence of events, whether real or imaginary ones, is a function of their narrativization.

J. Simpson, suspected ofbrutally murdering his (white) wife (mother of his two children) and her male companion (a male model and aspiring actor, white and Jewish). These court proceedings were themselves preceded by a bizarre incident in which Simpson, apparently contemplating escape from the country, led police on a slow-moving "chase" on the freeways of Los Angeles to the accompaniment of television cameras, nationwide radio and TV coverage, and the same kind of "commentary" as that which attended the 35 explosion of the Challenger or the very athletic events in which Simpson had made his fortune.

But among those effects must be listed the difficulty felt by present generations of arriving at some agreement as to their meaning--by which I mean, what the facts established about such events can possibly tell us about the nature of our own current social and cultural endowment and what attitude we ought to take with respect to them as we make plans for our own future. In other words, what is at issue here is not the facts of the matter regarding such events but the different possible meanings that such facts can be construed as bearing.

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